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ENDER
CUSTOM SIGNAL MODULES
MODULAR PROCESSING
01 — 08
Elevate your sound, make it yours.

Explore ENDER CSM

Complete ENDER CSM rack, from input to output

Swipe to explore the full rack

ET AUDIO / SIGNAL PROCESSING

Stop searching for the sound. Start shaping it.

You know the moment: the vocal is almost there, the drums need a little more life, the mix is asking for something you can hear but can’t quite name. Then the plugin hunt begins. ENDER brings eight sound-shaping modules into one rack, so you can stay with the idea and try the next move while it is still alive.

Move a stage. Push it harder. Put it somewhere else in the chain. FLOW keeps the signal in view; your saved chain keeps the discovery within reach next time.

ENDER / 01 — SIGNAL CHAIN

08 MODULES / 01 TRACK

Eight ways to make the track feel different.

Warm the edges. Find the bite. Pull the vocal forward. Let a sound bloom, then catch it before it runs away. Pick a module, make a move, and hear what the track asks for next.

Meet the engineers and producers

Add tape saturation, wow, flutter, hiss and wear.

COLORTape · movement · texture
  • MACHINEA80 · G36 · MKII
  • SPEED7.5 · 15 · 30 ips
  • CHARACTERClean · warm · worn · dirty

BEYOND THE MODULES / THE WHOLE RACK

The signal starts clean. You decide what happens next.

ENDER is a complete channel path: prepare the input, shape the middle, protect the output. The controls around the modules are part of the sound, not hidden setup screens.

INPUT

Set the signal before it hits the chain.

Noise gate and AI noise reduction, HPF/LPF, phase, width, bass mono and input trim live here.

  • NOISE X / GATE / NOISE / BOTH
  • HPF 20–500 Hz · LPF 1–20 kHz
  • TRIM −24 to +24 dB · WIDTH 0–200
AUTO GAIN

Find a stable level without guessing.

Choose OFF, STATIC or RIDE, set a target in dBFS, RMS, VU or LUFS, then analyze or let the ride follow the performance.

  • STATIC or RIDE
  • TARGET −40 to 0 dB
  • FAST · MEDIUM · SLOW
FLOW / LOW LATENCY

See the path and stay playable.

FLOW shows level through every stage without changing the audio. LOW LATENCY bypasses the AI noise network and LIMIT lookahead when you record.

  • VISUAL HUD · NO AUDIO CHANGE
  • AI NOISE ≈ 10 ms
  • LIMIT LOOKAHEAD 0–5 ms
LIMIT ADVANCED

Finish the master with more control.

Go beyond a single limiter: multiband, Mid/Side, true peak, dither, oversampling and per-band gain, release and solo.

  • 6-BAND MULTIBAND
  • M/S · TRUE PEAK
  • DITHER 24 / 16 BIT · FLAT / SHAPED
OUTPUT

Deliver the level with confidence.

Match input and output for honest A/B decisions, set the final output, and keep SAFETY as the last ceiling against accidental peaks.

  • VU: INPUT · OUTPUT · GR
  • OUTPUT −24 to +24 dB
  • SAFETY −24 to 0 dB
YOUR CHAIN, YOUR WAY

Build a sound. Keep your signature.

Reorder the modules around your track, then save their settings and order as a preset. Return to the chain whenever you need it.

  • REORDERABLE MODULES
  • SAVE SETTINGS + MODULE ORDER
  • RECALL YOUR CHAIN

HEAR THE DIFFERENCE / BEFORE & AFTER

Same performance. A different feeling.

Listen to the original recording and the ENDER version. Slide between them and hear what changes.

01 / ENDER

Acoustic guitars

With ENDEROriginal
0:000:34

Swipe the divider to blend original and processed audio.

50% With ENDER
02 / ENDER

Bass

With ENDEROriginal
0:000:56

Swipe the divider to blend original and processed audio.

50% With ENDER
03 / ENDER

Cuatro

With ENDEROriginal
0:000:07

Swipe the divider to blend original and processed audio.

50% With ENDER
04 / ENDER

Drums

With ENDEROriginal
0:000:52

Swipe the divider to blend original and processed audio.

50% With ENDER
05 / ENDER

Piano

With ENDEROriginal
0:000:10

Swipe the divider to blend original and processed audio.

50% With ENDER
06 / ENDER

Synth bass

With ENDEROriginal
0:000:10

Swipe the divider to blend original and processed audio.

50% With ENDER
07 / ENDER

Female vocal

With ENDEROriginal
0:000:32

Swipe the divider to blend original and processed audio.

50% With ENDER
08 / ENDER

Male vocal

With ENDEROriginal
0:000:21

Swipe the divider to blend original and processed audio.

50% With ENDER

Producers and engineers who use ENDER CSM

Luis Barrera Jr.
Luis Barrera Jr.
Mixing engineer · Producer
Rafael Vargas
Rafael Vargas
Mixing · Mastering engineer
César Lemos
César Lemos
Producer · Songwriter
DIM
DIM
Artist · Songwriter · Producer
DJ Nelson
DJ Nelson
Producer · DJ
Lewis Pickett
Lewis Pickett
Mixing engineer · Producer
Eddie Ortega
Eddie Ortega
Sound engineer · Producer
ZSurround
ZSurround
Producer · Songwriter · Mix engineer
Aldo Toesca
Aldo Toesca
Recording · Mixing · Mastering engineer
Jorge Milliano
Jorge Milliano
Producer · Songwriter · Engineer

FROM PLUGIN HUNT TO PLAYING THE MIX

That…. There it is..... I’m feeling the sound now…. That's it !

A mix can turn on one small decision. When the chain is easy to reach, you can spend the session chasing the feeling—not reopening the same menus.

  1. 01

    Hear the possibility

    The vocal needs warmth. The kick needs to speak. You can feel the mix asking for a move.

  2. 02

    Try it in the chain

    Drop in a module, change its place, push it further. Listen to the sound change in context.

  3. 03

    Make it yours

    When the chain clicks, save the route. Your next session can begin with the sound you found.

WHEN THE IDEA IS HOT

Keep the session moving. Keep the idea alive.

One window becomes six. You’re comparing plugins instead of listening to the track. The feeling that started the session gets quieter with every menu. ENDER puts the essential moves in one rack, ready to rearrange as your ears change direction. Less hunting between tools. More chances to catch that “there it is” moment.

  • 01 / MOVE

    Change the order and hear the whole chain respond.

  • 02 / DOUBLE

    Stack a stage when one pass leaves you wanting more.

  • 03 / SAVE

    Keep the route behind the sound you want to hear again.

THREE PLACES TO START

Change the order. Change what the track gives back.

Put EQ before compression. Move tape to the front. Let the reverb bloom after the drive. A different order changes how the stages meet—and can open a direction you weren’t expecting. These are invitations, not recipes.

01 / SIGNAL PATH

Bring the vocal into focus

EQ → DE-ESS → COMP

Shape the tone. Tame the sharp edges. Let the performance sit where you want it.

02 / SIGNAL PATH

Put the color up front

TAPE → DRIVE → EQ

Start with movement and drive, then carve the shape that belongs in the song.

03 / SIGNAL PATH

Give the sound somewhere to go

COMP → SPACE → TRANSIENT

Set the weight, open the space and decide how much of the attack stays.

ENDER FLOW / LEVEL THROUGH THE CHAIN

Watch your sound take shape.

Follow the signal from input to output as it passes through every stage. FLOW gives the chain a pulse you can see while you make the next call by ear.

  1. INPUT
  2. TAPE
  3. EQ
  4. DE-ESS
  5. COMP
  6. DRIVE
  7. SPACE
  8. LIMITER
  9. TRANSIENT
  10. OUTPUT

PRESETS / KEEP THE BREAKTHROUGH

Start with a spark. Leave with a chain that’s yours.

Ten factory presets give you somewhere to begin—not somewhere you have to stay. Push one toward the track, take it apart, build it back differently. Save the version that makes you want to hear the song again.

  1. 01

    Get a sound going

    Load one of 10 factory presets and hear a complete starting chain on your track.

  2. 02

    Chase the feeling

    Move a stage. Push a color. Duplicate what’s working. Keep following the version that pulls you in.

  3. 03

    Make it yours

    Save the settings and module order. Come back to the sound—and the moment you found it.

QUICK DETAILS

Everything clear before you hit play.

GET ENDER / READY WHEN YOU ARE

Bring the whole chain closer.

One rack for the moves that keep a session moving. Get ENDER CSM for macOS and Windows, with activation through ENDER Hub.

ET AUDIO / ENDER

Your next favorite sound is one move away.

Open the rack. Follow the idea. Stay for the moment it clicks.

Explore the eight modules